Saw III
Saw III
Saw III is a sellout. What started a series of movies with a decent plot and a nice twist ending has now turned into nothing more than a hack and slash movie. The movie goes all out for the gross and gore factor, but the plot is thin and quite frankly, stupid.
Amanda has kidnapped a doctor and forces her to keep Jigsaw alive. Meanwhile a father who has lost his son in a car accident faces those people who were involved in the crime.
The traps are lame and are just meant to show torture. There is actually no way to escape them so the tension of the movie is lost. Even in this gruesome game if you can’t win, there is no point in playing.
The father comes face to face with those he should learn to forgive. They were all part of his sons death, but there is no way to bring him back. This message is lost on the father and he blindly walks through the house of horrors seeking his revenge on those who crossed him. With no change in the character as he faces these trials the movie becomes boring and even though the traps illicit the maximum pain and cringe factor the movie doesn’t lead anywhere.
The factors that made the first two movies so good has been thrown away and we are left with nothing but a series of gory scenes designed to show off diabolical traps rather than “the will to survive”.
We also get so many flashbacks showing how the first movie was done and how the characters were setup. It’s interesting background but does nothing for the story. We pretty much knew all this from the way the second movie ended. Too much time is spent justifying why Jigsaw does his evil deeds and how he makes his elaborate plans. Again, it’s interesting, but it doesn’t advance the story. If anything is slows it down and make it appear the film was too short so all this material was added to stretch the time.
Saw III is not as good as its predecessors, and it doesn’t have the same thrill of an ending. If anything the ending is something we’ve seen before and isn’t very shocking. The movie does gore for gore’s sake and the idea of tangible plot has been thrown out the window. It’s worth watching just to tie up some loose ends, but overall it doesn’t compare to the first two. Had this been the original movie, Saw would have been forgotten long ago.
Other Articles of Interest:
- Saw II
- Saw
- Imprint – Masters of Horror – Rating 2 out of 5
- Exorcist – Dominion/Exorcist – The Beginning
- Thr3e – Rating 3 out of 5
- Reincarnation – After Dark Horror Fest – 8 Films To Die For
- The Washingtonians – Masters of Horror – Rating 2 out of 5
- Best Halloween Movies?
- The Abandoned – After Dark Horror Fest – 8 Films To Die For
- The Dead Matter
Saw II
Saw II
Saw II begins (and ends) right where the other movie left off. A group of strangers have been thrust together and must learn to trust each other in order to get out. We learn right from the beginning that Jigsaw has captured Eric’s (Donnie Whalberg) son and put him in with the cast of misfits to play the game.
Eric has to watch on the monitors as his son moves around the unknown house watching the tests and trials he has to suffer. You can feel the rage building as Jigsaw sits calmly and quietly trying to talk to Eric. He slowly explains his motives which just incites Eric all the more. Eventually is ass-kicking time and Eric is on a full rampage to make Jigsaw tell him where his son is.
Meanwhile those who are trapped in the house are slowly dying of a nerve gas. They of course bicker and fight and if they would just work together for 10 seconds they could probably come up with a plan. But that wouldn’t make everyone suspicious of each other and further make “every man for himself”.
The main frustration is the characters not working together and not stopping for even a second to consider what to do next. They go around smashing walls and breaking everything in sight without thinking of the consequences. The movie is a little more obvious than the first on how things will turn out, but it’s still a tension filled movie with plenty of twists and painful traps. The one with Amanda in the pit of hypodermic needles had me on edge.
But again, this movie has a point. What are you willing to do to save someone else? Will you control your emotions or be ruled by them? Will you forgive or act out revenge?
Like the original this has a nice twist ending that gets you excited about watching the movie again. You get frustrated with the stupidity, but you know that’s exactly how someone would act in that set of circumstances.
A great sequel which delivers plenty of what was great about the first one. Certainly a lot more gore in this one, but then again, they had a bigger budget this time around.
I see this movie all over the place for around $5 as well so you should definitely put it on the list.
Other Articles of Interest:
- Saw III
- Saw
- American Horror Story
- The Abandoned – After Dark Horror Fest – 8 Films To Die For
- Reincarnation – After Dark Horror Fest – 8 Films To Die For
- An American Haunting – Rating 2 out of 5
- Penny Dreadful – After Dark Horror Fest – 8 Films To Die For
- The Others – Revisited
- The Hamiltons – After Dark Horror Fest – 8 Films To Die For
- Dead Silence – Rating 3 out of 5
Saw
Saw
Saw is perhaps one of the most original horror movies to come in recent memory. It went with a minimalist approach in characters, sets and scope.
I didn’t first see Saw until well after it came out on DVD. It was coming close to Halloween and after dozens of people were talking about it I put it on my list to watch. And I wasn’t disappointed.
Everyone knows the story – two guys locked in an unknown room and they need to try and get out. But what will they do to save themselves? Why are they here? Who is the other person, friend or foe?
The tone of Saw is tense and gripping. What will these two men do to get out? Can they trust each other? Can they work together and get out? Who is going to kill who in order to save themselves?
We get several flashback scenes that help to understand the motives. We get to understand that Jigsaw is looking to make the men repent and redeem themselves. But the part that makes Saw different is the fact that there is a plot behind it all. There is a reason these men are here. There is a reason they are made to suffer.
And of course as we hit the end of the movie we see it’s all just a game. A well thought out, diabolical game.
The acting is a little stiff and some observations during the movie don’t need to be said out loud, we all can see what the saw will be used for. But overall this is a good movie and is definitely full of chills and tense moments. Lionsgate really garnered publicity by bringing this movie to light. And now they have a whole horror genre at their disposal.
Saw is one of the better horror movies out there and despite some quirks it’s a still a great movie to watch. Hell it’s on sale practically everywhere, there is no reason not to get a copy. I got mine for $5.
Other Articles of Interest:
- Saw III
- The Hamiltons – After Dark Horror Fest – 8 Films To Die For
- Saw II
- Exorcist – Dominion/Exorcist – The Beginning
- An American Haunting – Rating 2 out of 5
- Imprint – Masters of Horror – Rating 2 out of 5
- Thr3e – Rating 3 out of 5
- Reincarnation – After Dark Horror Fest – 8 Films To Die For
- The Dead Matter
- Cabin in the Woods
1408 – Stephen King
1408 – Stephen King
“Based on a short story by Stephen King, a man who specializes in debunking the paranormal checks into the infamous room 1408 in the Dolphin Hotel, only to discover… the terror is real.”
I can’t say I’ve been thrilled with how Stephen King’s work seems to turn out when it hits the big screen. However, this story seemed very interesting and the fact that John Cusak and Samel L. Jackson were on board got my interest even more. And who could miss all that hype at Blockbuster? Too bad they didn’t do that kind of job when it was in the theaters, I’ve never even heard of this movie.
But anyway, the premise goes like this – John Cusak is a writer of paranormal fiction. He creates such riveting titles as 10 most haunted house, 10 most haunted cemeteries, etc. When a chance postcard with the word “Don’t enter 1048” comes in the mail, of course he has to go investigate. He is met by the soft spoken, but firm manager (Jackson) who tries to convince him not to stay in the room.
But of course Mike Enslin (Cusak) does stay in the room and that’s when all hell breaks looks. He hallucinates, see visions, and battles many of the previous guests who gave taken their own lives in the room. Rather than turn this movie into a complete gore fest it’s more of psychological thriller. Is Mike dreaming or is it real? Is he paranoid or is he seeing ghosts? Is he in purgatory or is he just drunk?
The movie creates a lot of atmosphere by keeping most of the movie within the confines of the room. It builds slowly giving plenty of reasons to doubt anything is actually happening (drinking, not sleeping, paranoia, power of suggestion) so you really get drawn into the story. Is Mike actually experiencing this or is he passed out asleep? Is his mind playing tricks because of the previous events in the room?
What follows is a wild ride of torment and “unexplained phenomena”. Mike gets drawn into the terror of the room and does everything he can to escape. And then escape again. And again.
This is a good mood movie, very little gore, but plenty to keep you guessing about what’s going on. Cusak does a fantastic job of showing his decent into madness. So much of the main movie is just him, you really get to see him show off some talent.
Not on par with The Shining, but definitely worth renting. Plenty of things to make you jump and plenty for you to think about. I have to admit, one of the better King stories that have been put to film. Blockbuster has hundreds of copies so you should no problem getting one…
Other Articles of Interest:
- Secret Window – Rating 3 out of 5
- The Grudge – Rating 2 out of 5
- Saw III
- Count Dracula – BBC Mini-Series – Rating 3.5 out of 5
- Saw II
- Reincarnation – After Dark Horror Fest – 8 Films To Die For
- Flatliners – Rating 4 out of 5
- An American Haunting – Rating 2 out of 5
- The Dead Matter
- The Devil as told to us by M. Night Shyamalan
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